The Bollywood film "Mrs," based on the Malayalam hit "The Great Indian Kitchen," reveals the harsh realities of gender roles in India, finding that women spend over seven hours daily on unpaid domestic tasks. This mirrors recent government data showing minimal shifts in women's workload despite campaigns for empowerment, emphasizing societal norms that keep women trapped in routine chores.
Bollywood's "Mrs" Sheds Light on Gender Inequality in Domestic Responsibilities

Bollywood's "Mrs" Sheds Light on Gender Inequality in Domestic Responsibilities
The recent film "Mrs" highlights the persistent issue of unpaid domestic work among Indian women, echoing findings from a government survey.
In a landscape where progressive narratives often seek to challenge societal norms, the recent Bollywood film "Mrs" has sparked important dialogues surrounding gender inequality, particularly in domestic responsibilities. The film, which is a remake of "The Great Indian Kitchen," tells the poignant story of a woman married to a gynaecologist who becomes ensnared in the relentless cycle of cooking, cleaning, and caregiving, highlighting a stark truth: even in educated households, women's roles are frequently relegated to unpaid domestic labor.
The film's themes resonate with data released in a recent government survey, which reveals that Indian women dedicate over seven hours each day to unpaid domestic and caregiving work—more than twice the time their male counterparts spend on these tasks. While men average 88 minutes on chores and 75 minutes on care work, women engage in 289 minutes of domestic duties and 137 minutes of caregiving. Alarmingly, these figures remain consistent with findings from the last survey conducted six years ago, suggesting little progress despite government initiatives aimed at boosting women's empowerment.
India's Time Use Surveys (TUS) meticulously record how individuals allocate their time to different activities. The latest data released showcases a slight drop in the time women spend on unpaid domestic work, decreased by just ten minutes, while their engagement in paid employment has risen marginally. Despite interpreting these findings as a shift towards increased participation in the labor force, experts argue that such statistics can be misleading. Ashwini Deshpande, an economics professor, emphasizes the correlation between the rise in women's labor force participation and economic necessity, suggesting that many women seek paid jobs primarily to alleviate household financial strains, resulting in "double-shifts" of work both inside and outside the home.
Contextually, Indian women are not isolated in facing inequity in domestic responsibilities—this pattern is universally pronounced. However, in India, the disparity is significantly stark. While women globally perform about 2.8 hours more domestic labor than men, in India, this gap stretches to almost four hours. Various sociologists attribute this imbalance to entrenched patriarchal values, which perpetuate rigid gender roles that confine women, even among the educated elite.
In the face of criticism, especially from men on social media, "Mrs" serves as an essential cultural touchpoint that challenges these social norms. Critics have branded it as "toxic" to traditional family structures, yet it has also found supporters who recognize its reflective nature. Kajol Srinivasan, a Mumbai-based comedian, highlighted similar experiences within her own family, underscoring the power dynamics continually at play in household responsibilities.
Despite the apparent desire for change, the TUS data emphasizes that progress is slow. Women remain largely overburdened with domestic duties, while films like "Mrs" provoke crucial conversations about these entrenched inequalities—forcing audiences to confront the uncomfortable question of, "Who's doing the dishes?" As society navigates these complexities, awareness raised through cultural narratives will be key to the long-expected shift in domestic labor perceptions.
The film's themes resonate with data released in a recent government survey, which reveals that Indian women dedicate over seven hours each day to unpaid domestic and caregiving work—more than twice the time their male counterparts spend on these tasks. While men average 88 minutes on chores and 75 minutes on care work, women engage in 289 minutes of domestic duties and 137 minutes of caregiving. Alarmingly, these figures remain consistent with findings from the last survey conducted six years ago, suggesting little progress despite government initiatives aimed at boosting women's empowerment.
India's Time Use Surveys (TUS) meticulously record how individuals allocate their time to different activities. The latest data released showcases a slight drop in the time women spend on unpaid domestic work, decreased by just ten minutes, while their engagement in paid employment has risen marginally. Despite interpreting these findings as a shift towards increased participation in the labor force, experts argue that such statistics can be misleading. Ashwini Deshpande, an economics professor, emphasizes the correlation between the rise in women's labor force participation and economic necessity, suggesting that many women seek paid jobs primarily to alleviate household financial strains, resulting in "double-shifts" of work both inside and outside the home.
Contextually, Indian women are not isolated in facing inequity in domestic responsibilities—this pattern is universally pronounced. However, in India, the disparity is significantly stark. While women globally perform about 2.8 hours more domestic labor than men, in India, this gap stretches to almost four hours. Various sociologists attribute this imbalance to entrenched patriarchal values, which perpetuate rigid gender roles that confine women, even among the educated elite.
In the face of criticism, especially from men on social media, "Mrs" serves as an essential cultural touchpoint that challenges these social norms. Critics have branded it as "toxic" to traditional family structures, yet it has also found supporters who recognize its reflective nature. Kajol Srinivasan, a Mumbai-based comedian, highlighted similar experiences within her own family, underscoring the power dynamics continually at play in household responsibilities.
Despite the apparent desire for change, the TUS data emphasizes that progress is slow. Women remain largely overburdened with domestic duties, while films like "Mrs" provoke crucial conversations about these entrenched inequalities—forcing audiences to confront the uncomfortable question of, "Who's doing the dishes?" As society navigates these complexities, awareness raised through cultural narratives will be key to the long-expected shift in domestic labor perceptions.