Cultural Responsiveness in Luxury Fashion: Prada’s Kolhapuri Controversy

Sat Jul 19 2025 07:10:19 GMT+0300 (Eastern European Summer Time)
Cultural Responsiveness in Luxury Fashion: Prada’s Kolhapuri Controversy

Global luxury brands confront backlash for cultural appropriation in India, spotlighting the need for respect and recognition of local artisans.


Recent accusations against Prada highlight the complex relationship between luxury fashion and cultural heritage in India. As brands draw inspiration from local traditions, there's a growing demand for accountability and acknowledgment of artisans.


A recent incident involving the Italian luxury brand Prada has reignited discussions about how global fashion companies interact with India's rich cultural landscape. Tensions escalated when models at Milan Fashion Week showcased toe-braided sandals that bore a striking resemblance to the Kolhapuri chappal, a traditional leather sandal handcrafted in India for generations. Although the chappals, originating from Kolhapur in Maharashtra, are steeped in history, Prada's collection left out an acknowledgment of this heritage, resulting in a fierce backlash.

Following the uproar, Prada issued a statement recognizing the origins of the sandals and expressed its commitment to engage in "meaningful exchange" with local artisans. In a bid to repair its reputation, a team from Prada recently met with Kolhapuri artisans and industry representatives, including the Maharashtra Chamber of Commerce. This engagement hints at a potential collaboration, although specifics remain unspecified.

The controversy underscores a pattern among luxury brands that frequently draw inspiration from Indian and broader South Asian aesthetics while neglecting to honor their cultural significance. Earlier in the year, Reformation and H&M found themselves embroiled in cultural appropriation debates over designs that echoed South Asian garments, with varying responses from both brands. Similarly, Dior faced criticism for incorporating mukaish embroidery—a traditional metalwork technique from India—into its Paris collection without acknowledgment.

Experts in the fashion industry debate whether brands that borrow from different cultures do so with malevolent intent. Although designers consistently highlight diverse traditions in their collections, critics argue that respect and acknowledgment are imperative, especially when culturally rich ideas are commodified by major brands at premium prices. Shefalee Vasudev, a fashion writer from Delhi, asserts that due credit reflects design responsibility, and neglecting this aspect constitutes cultural oversight.

Amid growing competition within the fashion market, India is projected to become a significant arena for luxury brands, with estimates from analysts indicating a potential doubling of the luxury retail market to $14 billion by 2032. Yet, some industry consultants express skepticism about the brands' genuine interest in the Indian market, viewing it primarily as a production hub rather than a consumer base.

Fashion designer Anand Bhushan elaborates on this sentiment, suggesting that a misunderstanding of cultural context and rich histories leads to cultural misappropriation. He emphasizes that the fashion industry's oversights extend beyond individual brands, reflecting systemic issues that have accumulated over the years.

Looking ahead, Nonita Kalra, editor of Tata CliQ Luxury, acknowledges that while the younger Indian demographic is reshaping luxury consumption, incidents like Prada's highlight a critical need for increased cultural sensitivity in fashion narratives. The industry's lack of diversity, with many brands managed by a homogenous group, further compounds the issue, as it leads to a limited understanding of global consumers.

The ongoing dialogue around cultural appropriation presents an opportunity for brands to advance accountability, but also for India to champion its crafts and support its artisans. While the traditional weaving techniques enjoy centuries of legacy, the current marketplace often undervalues them compared to mass-produced items. Laila Tyabji, chairperson of Dastkar, emphasizes that real change hinges on valuing local craftsmanship, fostering a landscape where true appreciation can combat exploitation.

As the fashion landscape evolves, the call for accountability, respect, and cultural awareness continues to resonate, reflecting a broader dialogue about heritage, identity, and the economic realities facing artisans today.

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