Fernanda Torres' nomination for best actress and the inclusion of "I'm Still Here" as a contender for best picture have turned the spotlight on Brazilian cinema, fostering a sense of unity and joy amongst the population during Carnival festivities.**
Celebration and Pride: Brazil Basks in Oscars Glory with Fernanda Torres**

Celebration and Pride: Brazil Basks in Oscars Glory with Fernanda Torres**
The Oscar nominations for the Brazilian film "I'm Still Here" have ignited a wave of national pride, igniting pre-Carnival celebrations across Brazil.**
The vibrant streets of Rio de Janeiro are alive with excitement as citizens don costumes inspired by Oscar-nominated actress Fernanda Torres. Pre-Carnival celebrations have taken a unique turn this year, with revelers embracing their acting idol by mimicking her style and comedy, complete with plastic Oscars in hand.
“It’s the peak of fame in Brazil: to become a costume of Carnival,” said Ms. Torres, reflecting on the tribute her fans have offered. Known throughout Brazil, she has reached new heights of fame following her win at the Golden Globe for best actress, now setting her sights on international recognition at the Academy Awards.
Torres is in the running for best actress for her role in "I'm Still Here," a poignant film portraying a mother navigating the turbulence during Brazil’s military dictatorship following her husband’s mysterious disappearance. The film is also nominated for best international feature and has made historic strides as the first Brazilian film nominated for best picture—a development that symbolizes a significant moment for the country's film industry.
As the festivities continue, 21-year-old Breno Consentino epitomizes the Carnival spirit, dressing as “Fernanda’s Oscar” at street parties throughout Rio. As a wave of pride washes over Brazil, the nomination has uplifted spirits, showcasing the country’s rich culture and artistic contributions to the world. With every costume and celebration, the essence of unity and resilience shines, proving that Brazilian cinema is finally claiming its rightful place on the global stage.